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Home : Carrickmacross Workhouse

August 23, 2021 | By Luke Leslie,

A deeply moving ‘imagining’ of a family’s experience in the Carrickmacross Workhouse during the Famine years

The Carrickmacross Workhouse was one of 130 Workhouses built throughout Ireland between 1841 and 1843 to house the poor, hence the Irish name of Teach na mBocht – The Poorhouse.

The poor had to apply for admission to the Workhouse and successful applicants had to surrender any land before entering as ‘inmates’.

Once admitted, they were subjected to a strict regime: families were segregated and forbidden from seeing each other without permission; their diet was meagre and unvarying; difficult, and often pointless, work had to be undertaken; there was little heat and no comfort.

These deliberately harsh conditions meant that Workhouses quickly became known as the Poor Man’s Jail, and the poor only applied for admission as their last resort.

Home is a deeply moving ‘imagining’ of a family’s experience in the Carrickmacross Workhouse during the Famine years. It describes their ‘fall’ as a result of successive crop failures due to potato blight, leading them inexorably to the Workhouse, and their lives within these walls.

The story also highlights the Earl Grey Scheme under which 4,114 girls between the ages of 14 and 18 were emigrated from Irish Workhouses to Australia as wives and servants of the settlers and convicts there.

This number included 38 girls from Carrickmacross Workhouse.

 

Client : Monaghan County Council

Voice Talent: Leah Leslie

Writer : Leah Leslie

Producer : Mark Leslie

Director : Luke Leslie

Illustrations : Holly Ingram

Storyboards : Matthew Shiell

Animations : Daniel McNicholl, Rafael Araújo de Medeiros & Luke Leslie

3D Models : Iván Pais Nieto

3D Model Textures : Alex Glenn Murray

Original Music : Jonathan Casey

Traditional Vocals : Pádraigín Ní Uallacháin

Violin : Anna Rice

Cello : Ailbhe McDonagh

Recording Studio : Red Box

Special thanks to : Mayo County Library Service, Maggie Land Blanck Collection, and Views of the Famine for their 19th Century Prints. With calligraphy by Christiane Foller.

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War of Independence

May 2, 2022 | By Luke Leslie,
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Ormond Castle : Elizabeth Berkeley

August 23, 2021 | By Luke Leslie,

Ormond Castle was the medieval stronghold of the powerful Butler dynasty. Thomas Butler 10th Earl of Ormond built an Elizabethan manor house onto the front in 1665, ostensibly to please his English wife. But the iconography of the decorative plasterwork suggests that ‘Black Tom’ Butler expected a visit from his royal cousin Queen Elizabeth I.

The exhibition room is a holding area for guide-led tours. The restored 16th-century ambiance is maintained by reproductions of period woodcuts, paintings, and tapestries. These are arranged in a sequence that follows the story of Tom Butler’s pivotal role in the downfall of the Fitzgerald dynasty. Interactive digital books on Tudor lecterns provide information in eight languages. Digital technology has been used to transform John Derricke’s famous woodcuts into two spectacular animated movies. The emotional tension between Tom Butler, and two Elizabeths – one his wife – the other his queen, is presented from contrasting standpoints, in two complementary audiovisual dramas.

 

Client : OPW – Ormond Castle

Voice Over : Tara Flynn

Director : Luke Leslie

Writer : Leah Leslie & Mark Leslie

Production Manager : John Raftery

Storyboard Artist : Matthew Shiell

Illustrations : Holly Ingram, Alan Dunne, Brian Gallagher

Horse Animations : Ivan Pais Nieto

Original Score : Jonathan Casey

Featuring Traditional Music by Kíla

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Ormond Castle : Thomas Butler

August 23, 2021 | By Luke Leslie,

Ormond Castle was the medieval stronghold of the powerful Butler dynasty. Thomas Butler 10th Earl of Ormond built an Elizabethan manor house onto the front in 1665, ostensibly to please his English wife. But the iconography of the decorative plasterwork suggests that ‘Black Tom’ Butler expected a visit from his royal cousin Queen Elizabeth I.

The exhibition room is a holding area for guide-led tours. The restored 16th-century ambiance is maintained by reproductions of period woodcuts, paintings, and tapestries. These are arranged in a sequence that follows the story of Tom Butler’s pivotal role in the downfall of the Fitzgerald dynasty. Interactive digital books on Tudor lecterns provide information in eight languages. Digital technology has been used to transform John Derricke’s famous woodcuts into two spectacular animated movies. The emotional tension between Tom Butler, and two Elizabeths – one his wife – the other his queen, is presented from contrasting standpoints, in two complementary audiovisual dramas.

 

Client : OPW – Ormond Castle

Voice Over : Stephen Brennan

Director : Luke Leslie

Writer : Leah Leslie & Mark Leslie

Production Manager : John Raftery

Storyboard Artist : Matthew Shiell

Illustrations : Holly Ingram, Alan Dunne, Brian Gallagher

Horse Animations : Ivan Pais Nieto

Original Score : Jonathan Casey

Featuring Traditional Music by Kíla

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From the Sky

August 23, 2021 | By Luke Leslie,

From the Sky tells the story of Josie McCusker — who in 1942 at the age of 5 was playing in a field near her families farm when the quiet Sunday stillness was shattered by a deafening explosion. Traveling at 400 miles per hour, Battle of Britain Spitfire R6992, crashed into the ground and was instantly smashed to pieces. Now aged 81, she tells her story, alongside Aviation historian Jonny McNee who supervised an archaeological dig of the wreckage in 2017.

This film was part of the “Life on the Border with a World at War” exhibition in Monaghan County Museum; which was distinguished with the Heritage & Built Environment Award.

Client : Monaghan County Museum Commissioned by : Liam Bradley

Featuring : Josie McCusker, Jonny McNee, Eabha Campbell

Producer : Noel Murphy Director
Visual Effects : Luke Leslie
Director of Photography : Burschi Wojnar
Drone Photography by Slawomir Zielinski

 

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